An article in The Indian Express dtd. November 28, 2015 talks about the new and advanced Film Preservation and Restoration Workshop India 2016. Read full article here: http://indianexpress.com/article/entertainment/bollywood/reel-play-nfai/
An article by Lisa Monteiro in Times of India, Goa dtd. November 23, 2015 outlines the measure taken by FHF along with NFAI and FIAF towards developing infrastructure for preservation and restoration of films in India. Read full article …
On the 60th anniversary of Satyajit Ray’s first film, Pather Panchali, Sharmila Tagore looks back at the life and work of India’s greatest director. Read full article here: http://thewire.in/2015/09/11/what-satyajit-ray-left-us-is-an-inheritance-of-endless-possibilities-10476/
A review by Michael Ewins of our first publication “From Darkness Into Light” edited by Rajesh Devraj in September 2015 issue of Sight & Sound.
An article by Shivendra Singh Dungarpur, Director, Film Heritage Foundation in ‘Journal of Film Preservation’, published by The International Federation of Film Archives (FIAF). Read full article here: Journal of Film Preservation (FIAF) – Vol. 91 10.2014
An article in The Indian Express covering the re-release of the Apu Trilogy across cinema halls in the US. Read full article here: http://indianexpress.com/article/entertainment/entertainment-others/trial-by-fire-3/
The director reminisces about the making of the film in an interview with Roshmila Bhattacharya in the November 18th edition of the Mumbai Mirror
Save Film – a movement by celluloid lovers the world over to petition UNESCO to protect and safeguard the medium of film, the knowledge and practice of filmmaking and the projection of film print. Film Heritage Foundation supports this …
Adopting the perspective of Vidur- the chief advisor to the Kauravas, who, for ethical reasons, sided with the Pandavas prior to the great war of Kurukshetra- the film ‘Bhakta Vidur’ sought to hold a moral lens to the struggle between British colonialists and the Indian resistance.
Until 1951, most film stock used cellulose nitrate as the film base. Commonly known as gun cotton, cellulose nitrate or nitrocellulose was a known explosive. The industry soon found out the hard way that reels of nitrate film were highly flammable and would spontaneously combust while inside projectors, vaults, warehouses and on studio floors.
